Your Invite: Last Chance to See The Long Horizon
journal, reflections, The Long Horizon, Women in the Arts, New Mexico Art Women in the Arts, New Mexico Artists, Taos New Mexico Art Exhibitions, New Mexico Robbi Firestone journal, reflections, The Long Horizon, Women in the Arts, New Mexico Art Women in the Arts, New Mexico Artists, Taos New Mexico Art Exhibitions, New Mexico Robbi Firestone

Your Invite: Last Chance to See The Long Horizon

You're invited. Two final open viewing dates remain for The Long Horizon at Gallery 215, Taos:
Saturday, August 29th | 1–3pm
Sunday, September 6th | 1–3pm
The Long Horizon is an exhibition of paintings, pastels and watercolors inspired by the intertwining of Robbi Firestone's life

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The Long Horizon: Solo Exhibiton of 50+ artworks.
The Long Horizon, Exhibitions, Studio Life, Artists on Galleries, New Mexico Artists, New Mexico Robbi Firestone The Long Horizon, Exhibitions, Studio Life, Artists on Galleries, New Mexico Artists, New Mexico Robbi Firestone

The Long Horizon: Solo Exhibiton of 50+ artworks.

My father served thirty years in the United States Marine Corps.

Honor was a requirement in our home. A practice: integrity, service, the expectation that the people around you would rise to meet it.

I learned to always deliver my best. I could not always demand it of others. Yet when someone failed that standard, I gave pause.

My studio and art practice stands by that code to this day.

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Agnes Martin & NMWA Artist Talk
New Mexico Artists, Artist Talk, Exhibitions, New Mexico Art Women in the Arts, Taos, santa fe Robbi Firestone New Mexico Artists, Artist Talk, Exhibitions, New Mexico Art Women in the Arts, Taos, santa fe Robbi Firestone

Agnes Martin & NMWA Artist Talk

Into That Light

There is a front hall at Gallery 215 in Taos.

Thick adobe walls. Ancient wooden floors. Carvings.

Space holding silence the way only very old walls do.

Home to Untitled Orange and Yellow, 1994. Agnes Martin. Acrylic and graphite on canvas. Sixty inches by sixty inches. A grid painting from the final decade of her life, having already re-rooted in New Mexico. She stripped everything unnecessary from her practice. She became one of the most consequential painters of the twentieth century.

Humbly, on July 18, my work steps into that hall.

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